Moreover, the first two films most notably convey Rama through the underlying central theme of his life as a family man: a practicing Muslim, which undoubtedly sets the stage for confliction and inner-turmoil for a man whose career has been nothing short of a rip-roaring trial-by-fire, with no choice but adhere to his natural, most violent instincts in order to live. By no means is Rama a violent man, although knows where he stands in the career he’s chosen.