Fantasia XXV Review: Rob Jabbaz’s THE SADNESS, Crowdpleasing Horror, Evolved
I only have maybe two or three other people who write for this site who are more suited to discuss horror cinema. Regardless, the genre I usually cover sometimes veers into the gruesome and horrific enough that my own viewing experience ultimately warrants some growth along the way, and so upon covering Fantasia, I couldn’t resist checking out The Sadness, the feature directorial debut of Taiwan-based Canadian filmmaker Rob Jabbaz who, as of this write-up, just won Best First Feature out of the festival. Other critics and festival programmers who’ve seen this film have had plenty to say, in addition to this being a film definitely made for a crowd. Under lesser-life threatening circumstances, I would certainly agree, and not for nothing either with Jabbaz’s inaugural crowdpleaser serving up as a timely arrival for theatergoers, at a very tender moment in history more than a year and a half following […]

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