THE CRIPPLED MASTERS Is A Kung Fu Classic For All The Right Reasons
These days, if a film were to heavily feature, say, someone in a wheelchair (besides, perhaps, Charles Xavier), it wouldn’t be long before it was bombarded with cries of “woke!” or “leftism gone mad!”. Back in 1980, this wasn’t the case. In fact, in 1980, exploitation cinema was still thriving. These films often toed the line, highlighting more taboo subjects, such as sex crimes, racism, homosexuality and, of course, extreme violence, as well as many more. Exploitation became its own genre, despite being comprised of several other genres. There’s action exploitation, horror exploitation, Blaxploitation, exploitation porn (which seems redundant, I suppose)… The list goes on. Kung fu cinema has always been mildly exploitational. Or at least it’s gently held hands with exploitation throughout its existence. Sammo Hung often liked to make his films gritty with the inclusion of a rape scene or two, many martial arts films feature animal cruelty, […]
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