BELIEVER Review: Lee Hae Young’s 2018 HK-Inspired Reimagining Is Preaches A Violent, Well-Crafted Gospel [Reprint/Revisal]
Most of the time, the narrative among film fans is that remakes suck. I don’t know if that’s the same consensus shared by middle-of-the-road types in audiences of Hollywood or international titles, but generally you will come across folks who don’t favor a lot of remakes and reboots for reasons all their own.
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