BELIEVER Review: Lee Hae Young’s 2018 HK-Inspired Reimagining Is Preaches A Violent, Well-Crafted Gospel [Reprint/Revisal]
Most of the time, the narrative among film fans is that remakes suck. I don’t know if that’s the same consensus shared by middle-of-the-road types in audiences of Hollywood or international titles, but generally you will come across folks who don’t favor a lot of remakes and reboots for reasons all their own. Such reasons are justified, compared to a lot of other cases that often get overlooked in which a film, remade or rebooted from its predecessor, stands the test of its duration. Lee Hae-young recently found the odds in his favor for his fourth directorial outing, taken from the filmic mastermind of Johnnie To to provide the niche with a renewed variant of the 2012 thriller, Drug War. Fast forward to 2018, and we now have a contender in Believer to whet our curiousities following its seething trailer delivery. A slightly derivative assortment here builds on what To offered in […]
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