Japan Cuts XVII Review: In Takeshi Kitano’s KUBI, A Feral Feature Of Feudal Follies
6 min. read I’ve only seen a little over a handful of Takeshi Kitano’s films in my lifetime. That includes a palpable mix of roles in a career that’s lasted more than half a century; If you told me that that guy I saw in Johnny Mnemonic when I was thirteen would have an impact on my interest in film over the years, I would’ve looked at you peculiarly. At any rate, the films I have seen have been ample at helping me gauge Kitano’s approach to violence, drama, and black comedy, even when at the service of other directors. His latest directing effort, adding to a career at the helm that has lasted more than thirty years, now comes in the form of Kubi, an adaptation of his own novel published by Kadokawa, and with decades of development dating back as far as 1993. Beginning in 1579, Kitano’s Kubi […]