Review: THE MAGNIFICENT SEVEN (2016) Upholds The Western Frontier With Gravitas And Tact
While Antoine Fuqua’s The Magnificent Seven is a remake of the 1960 film by the same name, I like to think of it as a direct reimagining of its original incarnation of Akira Kurosawa’s Seven Samurai from 1954. It bears noting that Kurosawa is, to this day, still Stephen Spielberg’s totemic inspiration behind his every endeavor, which calls to mind the question of how much that influences have made it into those films both thematically and narratively. I would say that the influence manifests like the whimsy of a film student’s interaction with the arguments that give sustenance to a story of camaraderie. A story like this one, especially, that arrives on contact with the bold charisma of a gunslinger. I’m calling it; if this sort of Western is an analog to another form of cinematic expression, it would be to anime a la Voltron or Gundam Wing – a […]