Review: X-MEN: APOCALYPSE Is A Well-Rounded Sequel, And Enough About The F**king Billboard
X-Men: Apocalypse marks the third film in Fox’s X-Men soft reboot franchise. And since Bryan Singer produced First Class, it stands as his triumvirate return to the mythology after his ill-advised departure which resulted in the loathsome defeasance of X-Men: The Last Stand, directed by the man with so apropos a name (Brett Ratner) you’d think we were actually living in a comic book universe any time his name enters a conversation. If douchiness were a superpower, any image of him would work as projectiles like Gambit’s cards. The film begins in Egypt in the deep past, picking up where the end credit teaser for X-Men: Days Of Future Past left off. The immortal mutant, notably the world’s first mutant, En Sabah Nur, played by Oscar Isaac, is prepared to transfer from an aging body and into a new one when the ritual is sabotaged by a rebellion of slaves […]