Fantasia XXV Review: Tsutomu Hanabusa’s TOKYO REVENGERS, As Gangsta As It Gets
There’s ample reason why it is anyone in my time zone, or living within three hours within it, can tell you their perceptions about the state of live-action projects based on any Japanese IP to negative avail for the past decade. Granted, barring any such announcements made in the last four or five years, it still bears noting the phenomena of what we’ve seen on the feature film front, specifically with Japanese studios.
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