Review: In Riley Stearns’ THE ART OF SELF-DEFENSE, Life Imitates Art Through Violent Catharsis
While not purely outstanding, Nima Nourizadeh’s entertaining out-of-the-blue Jesse Eisenberg action romp, American Ultra, was a definitive change of pace for the actor best known for quieter, more subtle roles emulating innocuous “beta male” types. Such is what you’ll find at the top of Faults helmer Riley Stearns’ The Art Of Self-Defense before the rest of the narrative unfolds from its cautionary exploration of male toxicity with a touch of nudity and gender disparity.
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