And so comes the end of an era, as the latest teaser announcement is now online for the sixth upcoming season of hit series, Cobra Kai. A continuation of the longstanding success that is The Karate Kid saga, Cobra Kai premiered in 2018 firstly through paid subscription services via YouTube before segueing to Netflix a few seasons later.
Cobra Kai co-creator Jon Hurwitz took to social media to address Friday’s exciting news update pertaining to Sony Pictures’ upcoming slate, which so happens to include a new film installment for the Karate Kid franchise in 2024, as reported by multiple trade outlets. The news on Friday spawned mixed but curious reactions from fans of the franchise, including hit Netflix series Cobra Kai, which is now streaming its fifth season.
Fans riding the Cobra Kai wave of the Karate Kid fandom of late will be thrilled to know that Sony Pictures has dated a new movie to be released on June 7, 2024. The news comes through an announcement of dates listed for upcoming features from the studio, including Madame Web, Kraven The Hunter, and Garfield, to name a few.
Marking one month from the premiere date of the fifth season for hit series, Cobra Kai, new stills are online to view below including a few featuring the return of actor Sean Kanan back into the role of Mike Barnes from The Karate Kid: Part III, and the addition of actress Alicia Hannah-Kim debuting as South Korean sensei, Kim Da-Eun.
To say that Season 3 of COBRA KAI was highly anticipated would be a sheer understatement, as the continuation of this ‘karate saga’ has created incredible momentum since this series was first released in 2018. One of the key strengths of the series is its pacing, and there isn’t a complete reliance on exposition, despite the historical importance of the prior cinematic trilogy.Note some minor spoilers will be presented below:Season 3 commences right after the surprisingly brutal school fight at the end of Season 2. This resulted in numerous injuries, with Miguel Diaz (Xolo Maridueña) copping the short end of the stick – or rather kick, as delivered him by Johnny’s son, Robby Keene (Tanner Buchanan) in their confrontation. Miguel’s horrific injuries have left him in a paraplegic state of sorts, and this creates an intense emotional burden for his sensei and surrogate father, Johnny Lawrence (William Zabka). Robby goes on the lam evading police and prompting Johnny Lawrence and Daniel LaRusso (Ralph Macchio) to collaborate in a search for the now fugitive youngster. This team-up created a cheeky yet deliberate nod to Tango and Cash (which was highlighted in the trailer) with LaRusso standing in for the more upmarket Tango and Lawrence playing the more roguish Cash. Daniel’s sensible wife Amanda (Courtney Henggeler) continues to be the voice-of-reason for her husband, though in this series she also proves to be a formidable corporate strategist, with sassy attitude.The early tag team between the two rivals is something that fans had long yearned to see, since both men present as polar opposites yet unknowingly share positive attributes such as honour, determination and a warrior ethos. However, for the purposes of story development this was certainly not a primary focus, with Daniel’s perpetual quest for balance taking him to Okinawa where he rekindles his now-platonic relationship with Kumiko (Tamlyn Tomita) from Karate Kid: Part II; and even comes to a truce with his former enemy, Chozen Toguchi (Yuji Okumoto). Chozen has not only reformed into a more wise karate master, but also teaches some secret Miyagi fighting methods to his American counterpart. His new persona adds some weight and depth to his character, no longer being the arrogantly obnoxious karateka we see in John G. Avildsen’s 1986 sequel.Whilst Daniel pursues balance, Johnny seeks redemption for his surrogate son and star pupil, Miguel, indeed his unconventional rehabilitative methods are certainly more entertaining than they are practical. After seizing ownership of the Cobra Kai dojo from Johnny, John Kreese (Martin Kove) sets about instilling the same sadistic principles in the new breed of students with Hawk Moskowitz (Jacob Bertrand) and Tory Nichols (Peyton List) being the new leaders of this vicious dojo faction. One story inclusion that did completely surprise was flashbacks to Kreese’s involvement in the Vietnam War, providing an origin story which denotes his descent into pure malice, uncompromising hatred and sheer psychopathy. The glimpses of Kreese’s backstory shows that he is a product of his environment; the writers cleverly penned this sequence with a tacit intention of creating some sympathy for John Kreese, and to some degree, it does work.Season 2’s conclusion hinted at the future appearance of Ali Mills (Elizabeth Shue), now a successful pediatric surgeon, and she does indeed honour fans with her presence. It should be noted that like Macchio and Zabka, Shue has aged very gracefully and still has that youthful exuberance. Unfortunately, her appearance is more of a taut cameo, than anything substantive and it would seem she hastily provides the sudden, yet definitive moral center for both Johnny and Daniel. It may seem too convenient that her role was relegated to this, but fans will no doubt rejoice at this quasi-reunion of the original cast. Former Cobra Kai alum, Bobby (Ron Thomas) also returns for a cameo as a dignified Pastor. Despite being a brief encounter, the dynamic between Johnny and Bobby makes the friendship seem more believable. Ultimately, it is certainly satisfying to see that the chemistry between these actors is still as potent today, as it was in the 1980s.Of course all is not completely focused upon the older generation, with Samantha LaRusso (Mary Mouser) suffering PTSD as a result of the school brawl, as well as dealing with a very aggressive antagonist in Tory. The rivalry between the warring factions is somewhat comical, and does expect the viewer to suspend their belief in reality. There is a continued assault between Cobra Kai and Miyagi-Do students, and this escalates with each episode – with some shocking ‘casualties’ of sorts, along the way. Commendably, it doesn’t shy away from the brutality of violence, and though these machinations may be completely unrealistic in today’s era (especially with clear legal ramifications for assault and battery) the writers do not gleefully celebrate violence – but rather highlight its impacts. There is however, the expected inclusion of a life-saving fighting technique to as a winning ‘finisher’ (as had been seen in the original trilogy, with the Crane Kick, Drum technique and bemusing Miyagi Kata). Though this may be a tired trope, Daniel’s new techniques, imparted by Chozen, does illustrate some practical combat realism, thereby eschewing any esoteric martial arts mysticism.Ironically, for a series about martial arts the actual fight scenes could be seen as either sloppy, or perhaps tainted with a sense of brutal realism. And yet herein lies the ultimate truth, for at its core the appeal of the series is not because of intricate fight scenes, but rather the emphasis on character development and causality. The original movies did not intend to promote karate techniques, but instead used this as a device for expressing the importance of self-development through martial science. The parental bond that Mr. Miyagi has with Daniel LaRusso, is further explored in Daniel’s relationship with his own daughter Samantha as well as Johnny’s parental dedication to Miguel’s welfare and recovery.Here in Season 3, the school brawl results in karate being demonized by the greater San Fernando Valley community as an instrument of violence, however the exponents such as Miguel and Samantha, rebut this criticism by demonstrating the developmental value of this ancient art. Uniquely, the opposing dojos all promote a clear goal but each fueled by different attributes. LaRusso’s Miyagi style is heavily contingent on refined defensive counter-attacks; Johnny’s revised American style seeks to bring more integrity into his proactive combat style; whilst Kreese’s is imbued by a vicious mercilessness. Each style is highly reflective of each of the individual teacher’s personalities, denoting the old axiom ‘That there are several ways to scale a mountain, but the view is always the same.’ Whether it’s Kreese’s Cobra Kai, LaRusso’s Miyagi-Do or Lawrence’s All-American style, each method has a clear purpose (Note: This author has avoided revealing the name of Johnny’s new style, as it is comedically retro). Despite the predictability of Season 3’s final acts, the conclusion clearly leaves everything open for a fourth season – one which will culminate in even more formalised confrontations, seemingly resonating the essence of the very first movie.Season 3 of COBRA KAI is by no means perfect. Some minor sub plots such as the Daniel’s international business dealings; Johnny’s romance with Carmen Diaz (Vanessa Rubio); Demitri’s (Gianni Decenzo) neurotic love life or Tory’s financial struggles; each being glazed over briefly then quickly resolved or ignored. Conflict is at the core of the series, and character views are challenged, amended or enforced by the state of play within the story arcs. However, these can be seen as filler as much as a quick means of re-introducing characters or resolving internal conflicts. To use professional wrestling terminology, within Season 3’s dojos, there are ‘face-turns-from-heels’, and ‘heel-turns-from-faces.’ In other words: Heroes become villains and villain become heroes. It may seem slightly contrived but perhaps the writers can rely on the impetuousness of youth, being the prime motivator for drastic personality changes. Despite minor faults, for the most part, the series succeeds in executing an engaging, enjoyable and at times, emotionally deep narrative. Consequently, it is a narrative which compelled this journalist to view the entire series from start to finish, all in one sitting, on its day one release.COBRA KAI’s relocation from YouTube Red to Netflix didn’t diminish any level of excitement, but was a clever strategic move in broadening the appeal to a wider audience. Minor imperfections aside, Season 3 of COBRA KAI will certainly meet as well as subvert fan expectations, and that in itself shows the genius of this series. Fans both new and old will easily fawn over this new release and equally anticipate a fourth season with great enthusiasm.
Netflix is streaming the official trailer for season three of the hit series, Cobra Kai, ahead of its January 3 premiere. If you’re all caught up, then you’re already roped in for what looks to be a solid new chapter in the saga ahead of its pending fourth season. If not, all seasons are on Netflix right now as of earlier this year.
Netflix is etching in a fourth season of hit series, Cobra Kai, as the trades reported on Friday. The news comes following the show’s transition from YouTube Premium to Netflix as of August 28, ultimately climbing its way up to the streamer’s top ten list.
Whilst most people were seemingly fixated on Game of Thrones in 2019, I found myself ignoring GoT in favour of the second series of Cobra Kai. The brilliance behind this series is that it was able to respectfully carry the lore of the original film trilogy, without trying to rewrite anything. Therefore it managed to retain the long standing interest in the movie, and help the audience explore real life after and beyond the All-Valley Karate Tournament that created both winners and losers.
Cobra Kai series co-creator Jon Hurwitz took to Twitter this week announcing digital and streaming releases for the hit YouTube Premium series. The move also comes following news of a free, limited ad-supported run on YouTube beginning in August for the first and second seasons.
Season two of hit YouTube Premium series, Cobra Kai, is only just over a few weeks away with a date set for April 24. The SVOD platform rolled out a brand new sneak peek on Monday featuring series star William Zabka, and actor Martin Kove whose role reprisal of Karate Kid antagonist, Sensei Kreese, was teased in the first season.
Last year’s first season of YouTube Premium series, Cobra Kai, was an explosive success in re-energizing the fandom for the original coming-of-age saga that started it all, The Karate Kid trilogy.
“This series had all of the right elements from the very beginning — compelling characters, a storied rivalry, and the talented original stars,” said Susanne Daniels, global head of original content at YouTube. “The way viewers have embraced the new twist on this beloved franchise has been nothing short of amazing, and we’re thrilled to partner with Sony TV, Overbrook and the extraordinary creative team led by Josh Heald, Jon Hurwitz and Hayden Schlossberg to create a second season.”
The wait is officially over for YouTube Red subscribers who’ve been waiting for the premiere of Sony TV’s Karate Kid sequel series, Cobra Kai. The first two episodes are now available and serve as a delightful, high-energy invitation to explore the follow-up story that otherwise re-energizes the fanfare in a tasteful, fun fashion with actor William Zabka leading the charge this time opposite Ralph Macchio.
Tickets are now available at www.FathomEvents.com!