LION-GIRL Review: Come For The Spills, Thrills And Gratuity, Stay Because Kurando Mitsutake Is Worth It
Lion-Girl is releasing on Digital and on special Blu Ray and DVD beginning November 7 from Cleopatra Entertainment.
Lion-Girl is releasing on Digital and on special Blu Ray and DVD beginning November 7 from Cleopatra Entertainment.
New sales art is making the rounds for Lion-Girl, Kurando Mitsutake’s newest audacious cinematic team-up with mangaka Go Nagai starring Tori Griffith in the title role. It’ll be a ways until we hear any more on its forthcoming releases in the U.K. and U.S. from Cleopatra, but the film did just have a cast and crew screening of the film in Hollywood last week which ought to help stir the fandom a little more… And that’s after getting a NSFW trailer that stirred things plenty back in March ahead of its Australia screening.
If you’re new to director Kurando Mitsutake, I recommend to warming up with some of his previous works. The official trailer for Lion-Girl starring Tori Griffith was finally revealed back in March for the dystopian action sci-fi co-created in association Toei Video and legendary manga artist Go Nagai, and it delivers in full, exploitively festive genre fashion as per what Mitsutake is known for with previous films like Gun Woman and Karate Kill and the more recent Giallo-inspired Maniac Driver.
Cinephiles planning on attending events at this year’s third Fantastic Film Festival Australia can expect some interesting perks while present. The feature line-up is another speed and especially for anyone waiting to see what Karate Kill and Maniac Driver director Kurando Mitsutake has been up to as of late, for which we can now take a gander at new stills from post-apocalyptic thriller, Lion-Girl, featuring Tori Griffiths in the lead role.
I’m supposed to be on medical leave from the website, but not everyone in Team FCS has come to acquaint themselves as much with Gun Woman and Karate Kill director Kurando Mitsutake’s work as I have in the last five years just about. Alas, this is me taking one for the team to help present the official trailer for Mitsutake’s Giallo-inspired Japanese horror, Maniac Driver.
The 31st annual Yubari International Fantastic Film Festival kicks off its five-day event on September 16, and Karate Kill and Gun Woman helmer Kurando Mitsutake is totally here for it all, indicating as much with the first official poster for his new horror, Maniac Driver. There aren’t any story details, but all we need to know is that Mitsutake is looking to make this the first-ever foray into the Japanese-Giallo genre, which is exactly the kind of energy Mitsutake appears to be matching.
Gaetan Caillot Action Design/YouTube
Japanese cinema is one of the most adoring caveats of sharing film discussions, and director Kurando Mitsutake is a highly welcome subject matter in that regard.
Kurando Mitsutake
Nowadays I’m certain my old sensei is still somewhere in my neck of the woods doing what he does, as maybe a few of my old classmates. Moreover, Karate is still something I can relate to as a sport, and even as a watchable style in action cinema; Two of the most fun examples of this, aside from the Karate Kid trilogy, obviously, are several titles that took up a great portion of my time since I began immersing myself in Asian cinema a bit more around 2002: Yang Yun-Ho’s Fighter In The Wind, and Nagasaki Shunichi’s 2007 cult hit, Kuro Obi.
The problem is that there’s no mood to make in this film with its simple plot nor at any time does the protagonist feel that time was of the essense. It showed more of Kenji silently walking from destination to another to serve as the film’s only idea of scene transition. Seriously, there was more walking than fighting in this film. That’s another sign of lazy filmmaking.
You don’t have to take my word for it when it comes to Mitsutake Kurando’s new movie, Karate Kill…however, I sincerely hope you do. Or that of any other critic for that matter while our dear director, with only a small raft of films to his credit, continues to perform nothing short of impressively behind the lens.
Gun Woman follows a Japanese doctor who vows revenge on a crazy sadistic killer after the man murdered his loving wife. Despite the maximum security that surrounds this billionaire, the doctor finds a perfect assassination plan when he turns a young Japanese woman into the most lethal assassin the world has ever seen. This outrageous plan – his only chance for revenge – will take place at an underground facility where the killer goes to fulfil his sexual fetishes. On the night before the plan is to be executed, the woman assassin is “completed” by the doctor. She is now.. Gun Woman.
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