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Interview: Director William Eubank on his new military thriller LAND OF BAD starring Russell Crowe

William Eubank is a director many film fans first took notice of with the release of the claustrophobic, aquatic horror thriller, UNDERWATER starring Kristen Stewart. Hitting theaters shortly before the isolation era of the global Covid pandemic, and despite a disappointing performance at the box office, the film became the decade’s first true contender for the label of a “cult classic” thanks to strong word of mouth from genre enthusiasts. What that dedicated audience responded to has been evident throughout Eubank’s filmography— whether it be in smaller passion projects, like the mind-bending micro-budgeted sci-fi film THE SIGNAL (2014), or in studio “for hire” fare, like PARANORMAL ACTIVITY: NEXT OF KIN. 

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SLEEPING DOGS Awaken The Intrigue In The Official Trailer

The official trailer is now online for Sleeping Dogs, the new murder mystery crime drama from Adam Cooper. Russell Crowe leads the cast along with Karen Gillan, Márton Csókás, Thomas M. Wright, Harry Greenwood, and Tommy Flanagan, from a script by Cooper and co-scribe Bill Collage, based on the work of “The Book Of Mirrors” author E.O. Chirovici.

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Cam’s Eye Review: In Search Of A Cohesive Mummy

We’re literally buried by story strand after strand beginning with Dr. Henry Jekyll (Russell Crowe) taking over a newly discovered crypt during an Underground expansion in London where he stumbles onto hieroglyphs above a Templar burial and encapsulating the story of Ahmanet, the daughter of a Pharoah and her glory to be a powerful ruler of Egypt. Through her own devices, she makes a magical plea with the underworld ruler, Set, to achieve her ends. It does not go well and the incantations were never completed. She is taken far away and buried alive after killing her father, the concubine, and the concubine’s son who was to inherit the throne.

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TO THE HASHI: What The Hell Was So Wrong With Man of Steel?!

TO THE HASHI: What The Hell Was So Wrong With Man of Steel?!

Their fight scene and Jor-el’s death were charged with drama, despite happening within the opening minutes of the movie. It was Cain and Abel battling over ideals. One noble and optimistic, the other self-righteous and admittedly cruel. We are familiar with the underlying archetype presented, and note that the ethos of it is faithful to the spirit of DC comics’ universal distinction; while Marvel comics, and likewise their films, draw from everyman drama, DC is different in that their characters are drawn from a pool of grand and operatic archetypical structures. So the exchange between Jor-el and Zod is built on this definitive foundation.  

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