Filmmaker Timo Tjahjanto took to X on Saturday to confirm plans to collaborate once again with actor, Joe Taslim. The post came a day following Tjahjanto, applying his usual ambiguity, posted a photo of himself with the actor on the same platform with a caption that read, “Chapter 2.”.
If you’re bewildered any about what director Timo Tjahjanto (The Night Comes For Us, Headshot) is up to these days, I totally get it. I reckon as much that we can just about deduce all of his priorities down to the project he has at his disposal following his deal with Netflix, and for all intents and purposes, it’s been a worthwhile journey to follow.
It’s been a minute since director Timo Tjahjanto’s newest action comedy, The Big 4, started streaming on Netflix and as full as my plate is, I couldn’t end ’22 without lending my two cents on the pic which otherwise continues the director’s nascent relationship with the streamer since 2018’s The Night Comes For Us.
Try picking director Timo Tjahjanto’s brain from any distance about what he has in store and he’ll be about as cryptic as he wants. He can certainly afford it, especially after wowing thriller fans with hits like Killers and two installments of the May The Devil Take You franchise, as well as actioners Headshot and the ever pulsating The Night Comes For Us, and the same goes for what fans are hoping for with its spin-off, The Operator, and whatever you decide to take from this reply to a fan via Twitter.
Folks waiting with baited breath to learn just what director Timo Tjahjanto is working on since tearing it up on the screen with a slew off horrific action and suspense thriller in the last several years can now take a gander at the first unit still from his current production, The Big 4. The film is one of several projects revealed on Friday at Waktu Netflix Indonesia (Time for Netflix Indonesia), which includes a variety of action, sci-fi, comedy and drama within what’s been described as “its most ambitious slate yet.”
Of all the properties you’d expect celebrated Indonesian filmmaker Timo Tjahjanto to be attached to, you least expect it would be a reboot of Andrew Davis’s 1992 hit thriller, Under Siege. Alas, that now seems to be the case with none other than Kate scribe Umair Aleem penning the script for Warner Bros.
There’s been some BIG things happening this weekend if you’ve tuned in to the Netflix Tudum Watch Party to check out trailers and updates on upcoming series and films, including Cowboy Bebop starring Jon Cho, Mustafa Shakir and Daniella Pineda.
A little over a few years after New Line landed the rights, the long-brewing remake of Yeon Sang-ho’s hit 2016 zombie survival thriller, Train To Busan, officially landed a director in Timo Tjahjanto.A fitting choice in the horror arena, Tjahjanto is best known for his work as one-half of the ‘Mo’ Brothers working alongside filmmaker Kimo Stamboel for hits such as Macabre and Killers, and back-to-back Chelsea Islan-led May The Devil Take You and its 2020 sequel. Tjahjanto eventually got bit by the action bug in time to arouse audiences with brutal and increasingly bloody action showcases like Headshot (2016) and the highly celebrated The Night Comes For Us (2018).Timo is directing the new incarnation from a script by Gary Dauberman, who is producing via Coin Operated; Also producing are Atomic Monster’s James Wan and Michael Clear (Mortal Kombat) and Gaumont’s Nicolas Atlan and Terry Kalagian, with Judson Scott, Sidonie Dumas, Christophe Riandee and Johanna Byer exec producing.I have a strong feeling this won’t be the last we hear of Tjahjanto in terms of prospective directing gigs. Keep him on radar.More at Deadline.Image source
Orson Welles said of friendship that, through it, we get to create the illusion that we are not alone. He said of women that through them men become civilized. I wonder what he would have thought of The Night Comes For Us, a film that illustrates friendship (both its value and fragility) through a harsh, deconstructive lens, and presents a young girl as the catalyst for its protagonist’s quest to civilize himself, that is, to regain his civility after a career of criminality and murder.
Two more weeks until the holidays! Have you guys laid out Christmas plans yet? I have, and if I’m fortunate then they’ll mostly include sleep.
Provided you’ve been taking my advice on properly stalking director Timo Tjahjanto’s Instagram for all things relevant to The Operator, you might have also come actors The Night Comes For Us helmer’s teaser pics from a then-unnamed project.
If you’re like me, the past four years have probably proven to be one of the biggest waiting games you’ve ever played. It’s certainly been longer for acclaimed Mo’ Bro filmmaker, director Timo Tjahjanto since arduously birthing his concepts for The Night Comes For Us with the goal of bringing back The Raid actor Joe Taslim.
Right about now, every MA cinema fan’s favorite five words of late have been manifest into striking new action footage for Macabre and Headshot co-helmer Timo Tjahjanto’s new thriller, The Night Comes For Us. The official website for next month’s 51st Sitges Film Festival is currently host to said footage featuring the ceremonial return of actor Joe Taslim to the screen.
It certainly doesn’t feel like it’s been seven or eight years since news arose of upcoming neo-noir gangster thriller, The Night Comes For Us. Looking back though, it certainly hits you like a ton of bricks remembering that this film was supposed to take off back in 2014 at the very least.
Keeping certain of our attention through 2018 with the usual slow pacing of jewels for Timo Tjahjanto’s The Night Comes For Us, we have another still from the post production phase as its end inches closer. The film is Tjahjanto’s solo feature debut with actor and martial artist Joe Taslim since breaking out in supporting fashion with Gareth Evans’s The Raid (2011) and in Justin Lin’s Star Trek: Beyond (2016) for his first Hollywood endeavor.
Lest you forget about writer and director Timo Tjahjanto’s solo directorial debut, The Night Comes For Us, more updates are still to come. Production on the film wrapped back in March on the pic with a near-seven year evolution in its wake before starting in December 2016.
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